Posts

Art O’Murnaghan – a recollection

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Over the past few months I’ve been carrying out some further research about the great artist and Theosophist, Art O'Murnaghan. As readers will know from my earlier post on him, the trip has taken me down some odd paths that at times appear strange bedfellows – WB Yeats, The Society of the Inner Light, Ella Young, Irish Nationalism, Sara Allgood, Theosophy, Irish Drama, Dion Fortune and Philadelphian whiskey maker, Joseph McGarrity . In these searches I was delighted to come across a 1946 book, All for Hecuba, by Anglo-Irish dramatist and actor, Micheál Mac Liammóir .  A photograph of the book's cover is shown below. In his autobiography Mac Liammóir provides a captivating description of Art acting in Denis Johnston’s play The Old Lady Says No . Art O’Murnaghan wielded the drumsticks with untiring devotion  and a rapt expression like a druid at some sacred rite. He was an elderly saint who worshipped Angus and Lu and the ancient  gods of  Ireland...

On being Celtic…

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Over the years I’ve often struggled to find or indeed give myself a compelling and brief description of what being Celtic is really all about. However, this afternoon while reading Mike Scott’s autobiography, Adventures of a Waterboy , I found a nice little summary: What did it mean to be Celtic? Being Celtic was a way of seeing and feeling, of interpreting and inhabiting the world. The Celtic domain wasn’t simply a physical landscape spanning Ireland, Scotland, Wales and other regions on the Atlantic rim – it was a dream-space, a kingdom of the imagination with a coherency, a taste all of its own, ‘Room to Roam’, as the George Macdonald poem said. And this dream-space was inside me too. Nail on the head stuff! Scott’s autobiography is hugely readable and it is not surprising to find that Dion Fortune, another person touched by the Celtic Ray, has been one of his most enduringly favourite and inspiring writers. Scott describes the influence on some of his earlier works in ...

“If Trees Could Cry – Oxleas Wood” - a 20th Century adventure in eco-magic

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“Unevolved man is, notoriously, a destructive creature, and is loud in asserting his "right" to be so. Have not those who can see a little further and think a little more deeply at least an equal right to defend and preserve? It is not only animals that are in question here: is the fashion for redwood fences and garden furniture really an adequate reason for thinking beings to exterminate trees of age-long growth? We do not wish to do more than touch upon this matter, for its significance must already have impressed many. Not only this or that living species is in danger; there is also that fabric of which each is a component, that web of mighty vibrations and of subtle echoes...” -          Robe and Ring, The Magical Philosophy, Denning and Phillips     It was the late 1980s just as my Charlton House Green Circle group came to the end of working through Denning and Phillips’ “Magical States of Consciousness” over th...

Juxtaposition

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“Refusal to believe until proof is given is a rational position; denial of all outside of our own limited experience is absurd.”  - Annie Besant   "Men who think themselves wise believe nothing till the proof. Men who are wise believe anything till the disproof." - Hassan to Selim  James Elroy Flecker's play  "Hassan: the story of Hassan of Bagdad  and how he came to make the golden journey to Samarkand"